Another great find from this year’s annuals is the calligraphic identity for Scribbler, a stationery shop, by Lewis Communications....
Lately I’ve been poring over this year’s Communication Arts and Print Design Annuals, one of my favorite mail deliveries of the year. I al...
Particularly enjoying the web design projects in the portfolio of Erik Marinovich....
Really liking the minimalist packaging design for tea purveyor Bernschutz & Co by Acme Industries. via Share Some Candy Get a Free Font Every Wee...
Augustus is a chunky sans serif with quirky, curvy details by Karl Frankowski. Augustus is currently available at You Work for Them....
I’m currently admiring the work of South Carolina-based design duo Stitch Design Co. Their website is under construction, but you can check out ...
Creative Roots is a new-to-me design blog with a specifically international perspective. The goal for each post is to present samples of art and desig...
Block Gothic is available in three weights from Fontshop....
Enjoying the work of Objective Subject, particularly the design for The Old Brooklyn Parlor....
Great work by LAPD Studio, the freelance design practice of designer, Pete Davies....
Designer and illustrator Andrio Abero, formerly known as 33rpm, recently completed a redesign of his brand and new site. I’m a huge fan of his p...
Christine Celic Strohl is the designer behind many of my favorite Mucca projects, including the identity for Butterfield Market. Her style is the kind...
Tony Rice, Design Director for the Australian Financial Review, gives Grids an in-depth look behind the design of their most recent, 10th anniversary ...
I’m currenly loving the work of French designer and illustrator, Tom Henni. I especially love this unique identity project for Librairie Ouvrir ...
Tigerette is the freelance design studio of Robin Bilardello, an art director at Harper Collins and 2006 ADC Young Guns winner....
There’s amazing stuff to be found in the vast ephemera collection of Sheaff. This trade card rebus was found in the Extreme Typography section. ...
Orange Beautiful’s 2010 calendar is a typographic gem. The thirteen double-sided cards are letterpress printed in gray ink, and come with a disp...
Meet Mr. Eaves, available in two styles, Sans and Modern. via Quipsologies...
Check out Adrian Glatthorn‘s bold, typographic posters for the musician’s society. via Typojungle...
St. Atmos is a bubbly and playful display face by Stereotypes....
I love the details—especially that yellow wax seal—of this self-promotional mailer created by Cheep Industries....
I’m loving these clever limited edition posters by Because Studio. The ink coverage on each poster amounts to exactly 50% of the surface area, a...
Goodbye Galaxy, the portfolio of designer Khristian Mendoza, features some excellent print and packaging work. I’m really liking his clean and s...
Last week Matt Rainwaters (who I posted about here) wrote in to let me know that Cody Haltom, a member of the Public School collective, is the designe...
Tom Davie is the creative talent behind STUDIOTWENTYSIX2. In addition to his art and design portfolio, Tom also maintains a design blog and is now als...
I’ve wasn’t planning on adding another post this week, but I had to share these amazing posters I came across last night on Bēhance. The ...
Created by Typejockeys, Ingeborg is a contemporary typeface with historic roots. It includes various display and text weights, and multiple stylistic ...
Brian Yates wallcoverings really make me wish I wasn’t in a rental so I could cover every wall with pattern....
The other day David Tristman wrote in to let me know about his friend Alison Oliver’s work. She’s a designer and illustrator with an envia...
I’m really loving the maximalist details Barnickel Design incorporates into their work. You can also check them out on Bēhance right here....